From 3c002dadaab036ed3ca12eb6fc01b7231bd1d0ef Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?David=20Br=CC=8Cezina?= Date: Mon, 25 Sep 2023 12:16:25 +0200 Subject: [PATCH] =?UTF-8?q?Added=20ORCID=20to=20people=E2=80=99s=20profile?= =?UTF-8?q?s?= MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 8bit --- _authors/david-brezina.md | 2 ++ _authors/mary-dyson.md | 4 +++- _authors/matthew-lickiss.md | 4 +++- _authors/yannis-haralambous.md | 2 ++ 4 files changed, 10 insertions(+), 2 deletions(-) diff --git a/_authors/david-brezina.md b/_authors/david-brezina.md index 6587b1c..a70515b 100644 --- a/_authors/david-brezina.md +++ b/_authors/david-brezina.md @@ -5,3 +5,5 @@ profile: media/author-david-brezina.jpg David Březina is a typeface designer, writer, lecturer, and chief type officer at Rosetta type foundry. He designed typefaces for a diverse palette of the world’s scripts, but focuses mostly on Gujarati and Latin. David holds a Master’s degree in computer science from Masaryk University in Brno (Czechia) and an MA in Typeface Design and PhD from the University of Reading (UK). His cross-disciplinary PhD thesis studied visual similarity and coherence of characters in typefaces for continuous reading in Latin, Cyrillic, and Devanagari scripts. [www.mrbrezina.com](http://www.mrbrezina.com) + +ORCID: [0009-0007-4410-0133](https://orcid.org/0009-0007-4410-0133) diff --git a/_authors/mary-dyson.md b/_authors/mary-dyson.md index 540d37f..0760455 100644 --- a/_authors/mary-dyson.md +++ b/_authors/mary-dyson.md @@ -2,4 +2,6 @@ name: Mary Dyson profile: media/author-mary-dyson.jpg --- -Mary Dyson started by studying experimental psychology with a PhD in perception. She then moved into the Department of Typography & Graphic Communication, University of Reading, UK, teaching and researching theoretical and empirical approaches to typography and graphic communication. After retiring from her full-time position in Typography & Graphic Communication, she has written a textbook on legibility and has found time to reflect on her academic career and question some of her own assumptions. She is also enjoying developing scholarly collaborations with former students, colleagues and friends and is currently Senior Visiting Research Fellow in the School of Arts and Communication Design, University of Reading. \ No newline at end of file +Mary Dyson started by studying experimental psychology with a PhD in perception. She then moved into the Department of Typography & Graphic Communication, University of Reading, UK, teaching and researching theoretical and empirical approaches to typography and graphic communication. After retiring from her full-time position in Typography & Graphic Communication, she has written a textbook on legibility and has found time to reflect on her academic career and question some of her own assumptions. She is also enjoying developing scholarly collaborations with former students, colleagues and friends and is currently Senior Visiting Research Fellow in the School of Arts and Communication Design, University of Reading. + +ORCID: [0000-0002-0920-4312](https://orcid.org/0000-0002-0920-4312) diff --git a/_authors/matthew-lickiss.md b/_authors/matthew-lickiss.md index 626a6ba..b6d6dc2 100644 --- a/_authors/matthew-lickiss.md +++ b/_authors/matthew-lickiss.md @@ -2,4 +2,6 @@ name: Matthew Lickiss profile: media/author-matthew-lickiss.jpg --- -Matthew Lickiss is interested in where meaning is, how it changes, whether people get the message, and what they do as a result. More specifically, this relates to how information is read differently when presented across different platforms, different formats, and in different ways. Focusing on the borders, overlaps, and discourses between information design, typography, and linguistics Matthew teaches and researches at the School of Design, University of Leeds. \ No newline at end of file +Matthew Lickiss is interested in where meaning is, how it changes, whether people get the message, and what they do as a result. More specifically, this relates to how information is read differently when presented across different platforms, different formats, and in different ways. Focusing on the borders, overlaps, and discourses between information design, typography, and linguistics Matthew teaches and researches at the School of Design, University of Leeds. + +ORCID: [0000-0003-1064-1939](https://orcid.org/0000-0003-1064-1939) diff --git a/_authors/yannis-haralambous.md b/_authors/yannis-haralambous.md index ec79235..d32ed53 100644 --- a/_authors/yannis-haralambous.md +++ b/_authors/yannis-haralambous.md @@ -5,3 +5,5 @@ profile: media/author-yannis-haralambous.jpg After a PhD in Algebraic Topology at the University of Lille 1, Yannis Haralambous is doing research in Digital Typography, Grapholinguistics and Natural Language Processing. He is currently Professor at the Computer Science Department of IMT Atlantique, a French grande école in Brest, Brittany, and member of the DECIDE team of the CNRS Laboratory Lab-STICC. He has written a book on *Fonts & Encodings* (O'Reilly, 2007). He is the organizer of the biennial *Grapholinguistics in the 21st Century* conference and the editor-in-chief of the book series *Grapholinguistics and Its Applications* at Fluxus Editions. [Yannis Haralambous at IMT Atlantique](https://www.imt-atlantique.fr/en/person/yannis-haralambous) + +ORCID: [0000-0003-1443-6115](https://orcid.org/0000-0003-1443-6115)